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Winston Churchill -- Plagiarist & Forger



By Mike King

Excerpts from 'The British Mad Dog' // By M S King

CHURCHILL THE PLAGIARIST AND ALSO THE USER OF GHOSTWRITERS

In light of his severe alcoholism, his high-life-living and his record of academic mediocrity, one has got to wonder how this puffed-up “literary giant” is able to muster the time and discipline necessary to author so many well-written books. Well, you see, the “prolific” multi-millionaire writer not only has the help of “literary assistants,” (ghostwriters) but he is also a plagiarist!

A young historian Maurice Ashley contributes heavily to Churchill’s widely-acclaimed 1937 ‘A History of the English-Speaking Peoples’. Years later, another historian named William Deakin pens an enormous amount of material for Churchill, including most of the text of his “widely acclaimed” series on World War II. The military narratives are supplied by a retired general, Sir Henry Pownall.

By the 1950s, an aging and alcohol-addled Churchill is relying upon an entire team of writers to do much more than just research, contribute, and edit, but really take over his work.

The multi-million pound one-man literary enterprise that was Winston Churchill was not a one man show after all. -- Ashley, Deakin and Pownall.

In addition to his reliance upon ghostwriting historians, the imitation intellectual also engaged in gross plagiarism. British historian Max Hastings, writing in The Telegraph, November 2, 2004, informs us:

“Pownall, ironically enough, had often confided to his own wartime diary rage and frustration about Churchill's intemperate interferences in military operations. Now, for a salary of £1,000 a year, along with a less influential naval counterpart, he played a key role in the fortification of the Churchill legend.

Churchill skillfully injected into the narrative just sufficient rolling phrases in his own inimitable style to put a personal stamp upon the published version. The opinions and judgments expressed were, of course, entirely his own. But, from the delivery of the first volume onwards, some critics, including Life magazine which had paid vast sums for serial rights, expressed misgivings about countless pages of contemporary documents rendered verbatim in the text, to make up the weight.

By the time of the third volume, Life's Henry Luce was growling: "The old boy is chiseling on us. If he were younger, we'd kick him in the shins." Churchill narrowly averted litigation for plagiarism from Samuel Morison, an American naval historian whose narrative of the Pacific sea battles was recycled in the former Prime Minister's volumes.”

Henry Luce, the legendary founder of LIFE Magazine, came to understand that Churchill was a money-grubbing plagiarist.

MID 1930s
CHURCHILL THE FORGER, BROKE AND DESPERATE, RESORTS TO SELLING FAKE PAINTINGS

Just how desperate was Churchill’s financial situation during the 1930’s? Noted British historian and master document digger David Irving informs us:

“Churchill of course is no stranger to counterfeit art. In dire financial straits in the 1930s he took to faking the paintings of the deceased French impressionist Charles Maurin because Maurin's signature sold somewhat better in the Left Bank boutiques in those days than did his own.

President Franklin D Roosevelt spotted the little deception, and wrote him a joshing letter about it in February 1942. For some reason those letters never made it into the official volumes of Churchill Roosevelt correspondence -- an omission I have rectified in "Churchill's War", vol. ii: "Triumph in Adversity". Now that's Real History. Spreads like Butter.” (8)

Roosevelt had come to learn of the scam from a fine arts expert in Washington DC. Irving, in another article, quotes from the teasingly friendly 1942 letter in which Roosevelt writes to Churchill as though it is not known who the forger is:

“Dear Winston --- these people who go around under assumed names render themselves open to all kinds of indignity and suspicion.” (9)

Having hinted at blackmail, Roosevelt mischievously added:

“The British Embassy was asked for verification and I suppose the matter has been to Scotland Yard and back again.” (10).

In ‘Churchill’s War: Triumph in Adversity, historian David Irving uncovers a 1942 letter from FDR to Churchill in which the former teases the British Mad Dog - a mediocre painter - about a 1937 scam in which Churchill put impressionist Charles Maurin’s names to his paintings – and then sold them to boutiques!

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