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"All the News THAT Sulzberger

Deemed NOT Fit to Print"
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™

An "Almost Daily" Web Page Summary of the Dirty Lies, Glaring Omissions,
Half Truths & Globalist Bias of The NY Times Headlines
 
"We read and rebut their vile crap so you won't have to!"

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*** The Usual Suspects Murdered Music ***
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-
DECEMBER 26, 2022

NY Times: Coolio, ‘Gangsta’s Paradise’ Rapper, Dies at 59
REBUTTAL BY
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The Anti-New York Times has only just now learned that the "Gangsta Rapper" known as Coolio passed away just a few months ago -- "no cause given" (meaning, drug overdose or insider industry murder). How did we ever miss the passing of such an icon of high culture? Belated flags at half-staff, everybody.

*Editor's Note: After publishing today's article, a reader informed us that Coolio had been threatening to expose child sex trafficking and big names who run the music industry.

For the benefit of you uncultured philistines out there in flyover country, the standard definition of Coolio's genre, from Wiki, is as follows:


"Gangsta Rap emerged in the 1980s as a controversial hip-hop subgenre whose lyrics assert the culture and values typical of American street gangs. Many gangsta rappers flaunt associations with real street gangs, like the Crips and Bloods."

Real positive "art," eh?


Superficial observers of America's rotten subculture will be surprised to learn that a deceased "White guy" was actually the driving force behind the promotion of anti-White "Gangsta Rap" music. Over the course of his miserable existence, Jerry Heller, the son of a low-level Jewish mobster, raked in millions of dollars while corrupting and inciting Black youth with this garbage before "mainstreaming" it to White kids as well. One of Heller's bad boy groups, "Niggaz Wit Attitudes" puked out this bit of the profane poetry -- taken to heart by millions of frustrated young males: (Warning!)

Fuck the police coming straight from the underground
A young nigga got it bad cause I'm brown
And not the other color so police think
they have the authority to kill a minority
Fuck that shit, cause I ain't the one
for a punk motherfucker with a badge and a gun
to be beating on, and thrown in jail
We can go toe to toe in the middle of a cell


-- From "Fuck tha Police"


Similarly, when looking into the story of Coolio's rise to fame, the very first slimy rock that we overturn reveals that he was a product of Tommy Boy Records -- founded by Tom Silverman (cough cough -- surprise surprise).

Under. Every. Rock.

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1. Jerry Heller // 2. N.W.A. ("Niggaz Wit Attitudes") // 3. Coolio's old boss, Tom Silverman
 

It may be hard for the 35 and under crowd to conceive, but there was a time when the "pop" songs produced by Black musicians were clean, full of positive energy and pleasing to the ear (if one was fond of that genre). That was when it was Black-owned and Black-promoted. In addition to "Blues" and "Jazz", the most notable genre was "Motown" -- a term which came to represent both a style of music and a record company. The company was founded by Berry Gordy, Jr. as Tamla Records in 1959, and incorporated as Motown Record Corporation in 1960, in Detroit, Michigan --- the "Motor City" (hence,"Motown").

While Gordy was at the helm. Motown cultivated and promoted clean acts that had wide "crossover" appeal to White audiences -- familiar names like Smokey Robinson, The Four Tops, The Jacksons, Diana Ross, The Temptations, Lionel Ritchie, et al. The upbeat songs and the well-dressed performers were non-offensive -- and singers spoke proper English too. Imagine that!
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Smokey Robinson, The Four Tops, Lionel Ritchie -- mushy love songs and upbeat tunes --- nothing about fornication, drug dealing, bitches, hoes, or killing cops

Under (((their))) control, Black music devolved quickly from innocent and catchy tunes to the violent, sex-crazed, pro-drug, anti-cop, anti-White noise pollution heard today. Take "Motown," for example. In December 1998, after already having been sold to a company called Polygram, Motown was acquired by Seagram and absorbed into its Universal Music Group. Seagram, better known for its alcohol products, is owned by the Bronfman Family (cough cough) -- a Canadian-American Jewish dynasty who, in terms of sheer power and influence, rank right up there with the Sulzbergers but just below the Rothschilds.

Needless to say, Motown, (by now relatively insignificant) and Black music in general, have never been the same. It's the ultimate societal false-flag operation. At the same time that the usual suspects continue to poison the morals of young Black kids with their demonic music, they also incite them against Whitey and the evil "po-leece" for being the cause of their economic and societal woes. It's a "twofer."


Reminds us of something that Hitler once wrote:

"Culturally, the Jew contaminates art, literature, the theater, makes a mockery of natural feeling, overthrows all concepts of beauty and sublimity, of the noble and the good, and instead drags men down into the sphere of his own base nature. Religion is ridiculed, ethics and morality represented as outmoded, until the last props of a nation in its struggle for existence in this world have fallen."

Tell it, Great One. Tell it!

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1- Berry Gordy, the father of Motown, ran a clean operation. // 2- Edgar Bronfman Sr., who later gained control of Motown, receives the "Medal of Freedom" from President Bill Clinton. // 3- How (((their))) game works: "The same White people keeping you down have been persecuting us for 3000 years. We need to stick together, Tyrone, because we're your friends."

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Boobus Americanus 1: I read in The New York Times that the Gangsta Rapper Coolio has passed away.
Boobus Americanus 2: These rappers all seem to die so young. 

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St. Sugar:
But the jew promoters seem to live forever!
 

Editor: Ain't that the the truth!




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