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"All the News THAT Sulzberger

Deemed NOT Fit to Print"
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™

An "Almost Daily" Web Page Summary of the Dirty Lies, Glaring Omissions,
Half Truths & Globalist Bias of The NY Times Headlines
 
"We read and rebut their vile crap so you won't have to!"

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Diversity among the Academy’s board of governors
APRIL 26, 2021

NY Times:
The Mostly White Power Brokers Running Hollywood
REBUTTAL BY
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So, "White power brokers" run Hollywood now, eh? Ya learn something new everyday reading the Jew York Slimes (rolling eyes). Those darn White "crackas," -- always hogging-up the top spots in every industry for themselves, as if they actually founded and built this country. Something has got to be done!

Now, technically speaking, Hollyweird is indeed "dominated" by "power brokers" with a skin tone which we would commonly describe as "white" (the color) -- but these particular whites actually aren't "Whites" (the people of true European ancestry). Know what I'm sayin'? A few headlines from "mainstream" and/or Jewish-leaning sources to hammer this point home:

* The Atlantic Magazine (12-5-2016): Are Jews White?
* The Atlanta Jewish Times: (12-19-2016):
Are Jews White? It's Complicated
* Tablet Mag (11-7-2018): Do American Jews Still Believe They Are White?
* Jewish Journal: (5-27-2019): We're Not White, We're Jewish
* The Village Voice: (7-25-2019): Jews are Not White
* Jerusalem Post (4-8-2020): American Jews. Are You White?
*
The Jewish Forward (6-5-2020): Are Jews White? Comfort in Ambiguity is the Answer
* New York Times: (10-13-2020): I'm Jewish and I Do Not Identify as White
* The Atlanta Jewish Times (1-28-2021):
Are Jews White? Yes. And No.

Their words --- not ours. Case closed. And plenty more where those came from, boys and girls. Trust me on that! Yes sir -- no doubt about this one. Though many "lesser brethren" of the Tribe may have assimilated (even intermarried) and do consider themselves "White," the Jewish / Marxist Supremacists -- who lord over institutions such as Fake News, High Finance, Quackademia, Professional Sports, Book Publishing and Hollyweird -- certainly do not. Yet that won't stop (((them))) from agitating their pet "people of color" ™ over "The White Man's" unfair (and mythical) domination of society's power centers. Heck, speaking "as Whites," (((they))) will even "apologize" for it while oh-so-nobly calling for actual Whites to be "diversified" out of their positions!

Well played, Hymie. Well played.

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1. Jewish domination of Hollywood is what we might call "an open secret" -- not much talked about, yet absolutely 100% undeniable. // 2. Online image from a 2020 New York Times article ("I'm Jewish and I Do Not Identify as White") depicts a Jew rejecting the White crowd. // 3. "White Like Me," by Tim Wise (cough cough) -- written from the perspective of a confessional "White man" -- trashes White people.

Regarding that open sewer pipe into American (and world) culture which we call Hollyweird, it takes a special kind of "chutzpah," for (((them))) to pass off (((their))) compete domination of that dreadful Satanic cesspool onto us "Whites." Since its inception, the film industry has been as Jewish as a Bar Mitzvah, and as Marxist as the 1919 Comintern (Communist International). Though it is forbidden for us lowly Goy (Whites) to say such things in polite company; amongst themselves, the boastful chosenites are very proud of it.

From the book
"Shtetl to Stardom: Jews and Hollywood," by Mark Renov (cough cough), Vincent Brook (cough cough) & Steven J Ross (cough cough):

Foreword


"For all its fame, the history of Jewish Hollywood remains underwritten. Who could have imagined that movies made by Jews ... would change the world and have such a profound impact on the Jewish people? From Shtetl to Stardom: Jews and Hollywood, sheds fascinating new light on the roles—literally and figuratively—Jews and Judaism have played on the big and small screens, behind the scenes, and in running Hollywood. .... most studios during the Golden Age of Hollywood were run by Jews.


Introduction

"Jews’ outsized contribution to American entertainment precedes their rise to prominence in the Hollywood movie studios. Spurred by their mass migration from Eastern Europe and Russia in the late 1800s, just as mass culture was emerging, immigrant and second-generation Jewish business owners, producers, and artists had already established themselves at the forefront of live theater and popular music by the time motion pictures caught on in the first decade of the twentieth century. Not until the paradigm shift in film production from the East Coast to Los Angeles in the 1910s, however, and cinema’s ascendance from lowbrow fare to cultural phenomenon and big business...did Jewish control of Hollywood become an open secret."

*
Again their words --- not ours. Case closed.
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1. Shtetl to Stardom: Jews and Hollywood -- (((their ))) words. // 2. An Empire of Their Own, by Neil Graber (((their ))) words. // 3. The Communist "Hollywood 10" of 1947 -- 6 of the 10 defiant Reds were Jews.
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Total domination for a whole century.
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Boobus Americanus 1: I read in the New York Times today that Hollywood is still disproportionately controlled by Whites.

Boobus Americanus 2: It's time for Hollywood to embrace diversity.

 ***
St. Sugar: Nobody here but us "Whitess," eh Boobus? --- Like Sspielberg, Katzenberg, Geffen, Diller, Weinsstein, Ssaban et al !!


 Editor: And you can be sure that the coming increase in Hollywood "diversity" will only displace mid & lower level White directors, actors, costume designers, film editors, special effects operators, cinematographers, make up specialists, etc.

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