Flashback: 2020: The main arena at Madison Square Garden played host to a Broadway play: “To Kill a Mockingbird,” with an audience of 18,000 students and their chaperones
MARCH 30, 2021
NY Times: ‘To Kill a Mockingbird’ Meets an Arena Full of Students
NY Times: ‘To Kill a Mockingbird’ Meets an Arena Full of Students
REBUTTAL BY
Though this mass event at Madison Square Garden took place a little over one year ago (about two weeks before New York City went into Stupid-19 lockdown) --it's never too late to discuss the enduring destructive power of both the book and performance versions of the anti-White / anti-Southerner brainwashing "classic," -- "To Kill a Mockingbird."
The scene, as described in the article:
"When the cast of “To Kill a Mockingbird” filed into the arena, wearing suits and dresses reminiscent of Alabama in the 1930s, the crowd erupted as if the actors were the Knicks coming out of the locker room.
When Atticus Finch asked a barrage of tough questions of Mayella Ewell, the white teenager who had accused a black man of rape, they burst into applause, as if the tide had turned in the game. And when Scout Finch, one of the play’s central narrators, called out the man behind a white Ku Klux Klan hood, the crowd oohed as if their team had stolen back the ball.
For the first time, Madison Square Garden opened its doors to Broadway, and with it came 18,000 New York City public school students to watch a play that has only ever been performed on the Shubert Theater stage." (emphasis added)
Reminds one of the mandatory "Two-Minutes Hate" from George Orwell's "1984!"
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1. From the book (and film) "1984" -- "The horrible thing about the Two Minutes Hate was that it was impossible to avoid joining in. A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one's will into a grimacing, screaming lunatic." // 2 & 3. The Two Hours Hate for 18,000 kids at Madison Square Garden -- directed at White Southern "racists."
Scores of millions of impressionable Middle School and High School students have been forced, and continue to be forced, to read the late Harper Lee's anti-White novel. Compounding the tragedy, scores of millions more have been "moved" by the Hollywood rendition of her book, starring the notoriously commie-pinko, Gregory Peck. And now, Broadway plays staged for 18,000 impressionable kids at Madison Square Garden.
The FICTIONAL propaganda plot of To Kill a Mockingbird (Book 1961 / Movie 1962 / Play 2018) centers around Tom Robinson, a Black man falsely-accused of raping a White woman (because Black men never did such things -- rolling eyes); and Atticus Finch, a noble crusading White lawyer who oh-so-valiantly defends Robinson's innocence in an environment steeped in Dixie "racism" ™. Break out the violins and pass the tissues! You know the procedure. Variations of this goof-ball scenario have been run and re-run a million times -- so that's really all you need to know.
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1. Butch-looking Lee made a fortune betraying her own people with her 1961 work of FICTION. // 2. Summary: "Once upon a time, in the backwards, Christian, racist, evil, redneck southern state of Alabama, there lived an innocent African-American man who was wrongly accused of rape." // 3. Even the US Postal service got in the act, honoring the 1962 film version.
How many of Harper Lee's captive White readers or viewers then grew up with a pathetic and suicidal guilt complex? How many of those Black readers or viewers then grew up with a reinforced hatred of "the White Man?" To the extent that books and films such as To Kill a Mockingbird contributed toward a climate of general hatred against Whites, particularly Southerners, can it not be said that Harper Lee, much like Al Charlatan, Jesse JackAss, and Barack & Mike Obongo et al, was actually responsible for the injury or death of many innocent White people?
Incitement equals death -- and To Kill A Mockingbird always was, and still is, an incendiary piece of literature and cinema. The most troubling element of this cultural "phenomenon" is how Ms. Lee's book became required reading in almost every school district in America -- and the Hollywood film adaptation is still being re-run on cable TV. With such artificial propping up from "the usual suspects," this nasty amateurish hag accumulated a massive fortune peddling her stereotypical, anti-White, anti-southerner commie crap. The interesting thing is, Libtard Lee once revealed that she never expected her "1-hit-wonder" to take off as it did, and had been perplexed by it all. Six years after her death and (((they))) are still force-feeding her propaganda to new generations.
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1. New actors -- same old MANDATORY story line for the past 60 + years. // 2. Sniffle sniffle -- "Poor Tom Robinson" -- sniffle sniffle. // 3. Black on White hate crimes -- fueled by books and films like "To Kill a Mockingbird."
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Boobus Americanus 1: I read in the New York Times that To Kill a Mockingbird was performed in front of 18,000 public school students.
Boobus Americanus 2: It's still going stromg. We were all deeply moved and enlightened by reading To Kill a Mockingbird in High School.
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St. Sugar: "You deluded doltss do undersstand that the sstory wass fictional -- right?"
Editor: The sub-conscious mind does not distinguish between emotions stimulated by reality versus those induced by illusion. That's why people experience joy, sorrow or anger while watching movie scenes.
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