*** When the Holohoax Meets the Abstract Art Hoax ***
Slimes Caption: The artist Fred Terna in his Brooklyn studio in 2015. “How does one paint the near certainty of violent personal annihilation?” he once asked.
FEBRUARY 08, 2023
NY Times: Fred Terna, Creator of Fiery Holocaust Paintings, Dies at 99
A prisoner at Auschwitz and three other camps, he dealt with his trauma in semiabstract works that depict crematories, ovens and chimneys and serve as testimony.
NY Times: Fred Terna, Creator of Fiery Holocaust Paintings, Dies at 99
A prisoner at Auschwitz and three other camps, he dealt with his trauma in semiabstract works that depict crematories, ovens and chimneys and serve as testimony.
REBUTTAL BY
The life and crimes of "artist" Fred Terna -- born Friedrich Arthur Taussig (cough cough) in 1923 -- represent a "twofer" of lucrative scammery which had him laughing at the stupid-ass goyim all the way to Rothschild's bank. By combining "Modern Art" with Holohoaxianity, the greasy little shyster who did a cushy brief stint in Bullschwitz carved out a nice gig for himself --- peddling "art" that never was, to promote an event that never happened. A tip of the yarmulke -- for fiendish cleverness -- to you, dead Fred.
From the Slimes homage to the con-artist artist (repeated word intended):
"Fred Terna, an artist who tried to exorcise the psychological trauma of his imprisonment in four Nazi concentration and labor camps by later creating semiabstract paintings that depict fire, ashes and chimneys, died in Brooklyn. He was 99.
Mr. Terna’s art became his Holocaust testimony. In acrylic works like “In the Likeness of Fire” and “An Echo of Cinders,” he painted in reds, yellows, oranges and blues to illustrate the flames that incinerated Jews in crematories. In some paintings, he used sand pebbles to represent ashes."
(Shaking head, sighing, rolling eyes.)
* Editor's Note: It took more than two hours to cremate the body of St. Sugar the Crazed Conspiracy Cat in a modern oven. Still trying to calculate how the Germans cremated "zee 6 million" Jews in a handful of ovens no bigger that a pizzeria oven!
From the Slimes homage to the con-artist artist (repeated word intended):
"Fred Terna, an artist who tried to exorcise the psychological trauma of his imprisonment in four Nazi concentration and labor camps by later creating semiabstract paintings that depict fire, ashes and chimneys, died in Brooklyn. He was 99.
Mr. Terna’s art became his Holocaust testimony. In acrylic works like “In the Likeness of Fire” and “An Echo of Cinders,” he painted in reds, yellows, oranges and blues to illustrate the flames that incinerated Jews in crematories. In some paintings, he used sand pebbles to represent ashes."
(Shaking head, sighing, rolling eyes.)
* Editor's Note: It took more than two hours to cremate the body of St. Sugar the Crazed Conspiracy Cat in a modern oven. Still trying to calculate how the Germans cremated "zee 6 million" Jews in a handful of ovens no bigger that a pizzeria oven!
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1. Terna cashed in on Bullschwitz. // 2. “In the Likeness of Fire” (1983) depicts cremation (which doesn't actually involve shooting flames.) // “Lasting Drift” (2015) is supposed to show a chimney belching smoke --- so much smoke, apparently, that one can't even make out an image!
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Imagine "cremating" everyone sitting in one dozen of the largest college football stadiums in America --- inside of a handful of those few Bullschwitz pizza ovens -- ONE AT A TIME!
Like so many other Holohoax stories, there is a certain detail of Terna's internment which -- when read with discernment -- does more to contradict the official narrative than to confirm it. See if "youse guys" can catch it:
"Before being deported to Auschwitz in September 1944, Mr. Terna gave his drawings to another prisoner, believing he would never see them again. He had spent only two months in Auschwitz when he was sent to Kaufering, a subcamp of Dachau --- liberated by American troops on April 27, 1945."
So, after arriving at Bullschwitz at the supposed peak of the gassing & cremating frenzy (September, 1944), the con-artist artist was relocated westward -- ungassed and none-the-worse for wear -- in November, 1944. Why was that? Had the Germans run out of "Zyklon B" bug spray (rolling eyes)? The truth of the matter -- as also confirmed by the relocation of forgery victim Anne Frank in late 1944 -- was that the Germans were moving as many internees as they could westward because the Soviets were advancing deep into Poland (finally arriving at Bullschwitz in January, 1945). This proves that there was no "extermination" plot. If there had been, the famously efficient Germans could have eliminated the inmates within a matter of weeks, as early as 1942 had they wanted to.
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Terna arrived late and stayed briefly at Bullschwitz. He missed out on much of the fun. // 1. Jewish women's orchestra at Bullschwitz. // 2. The swimming pool at Bullschwitz.
As untalented as he was dishonest, it wasn't surprising to learn in this Slimes piece that Hitler wasn't the only "bad guy" to be grossly libeled by Terna's "fiery" works of fart. From the article:
"Last year, Mr. Terna’s anger over the war in Ukraine prompted him to create another flame-themed painting. 'Putin’s moves just triggered that in him,' his son said."
"Triggered" by Vlad the Bad, eh? --- How quintessentially Jewish these days!
Terna's son, Daniel, will no doubt rake in a nice inheritance from his con-artist artist father. Piggybacking off of his felonious father's name, he too became an artist. Not being born until 1987, Danny Boy did not "experience" Camp Bullschwitz himself, of course. Nonetheless, he claims to suffer from "inherited trauma" over the event that never happened. Says Terna the Younger with an evidently straight face:
“In the same way that my father lives with the Holocaust every day, I live with it. Not a day goes by that you don’t think about your father and what he’s gone through. I never stop thinking about it. You can’t really understand it. You can’t conceptualize of it.” (here)
You're right, Danny Boy. I can't.
For lack of a better word, one almost has to "admire" the creative brashness -- the "chutzpah" -- of (((these people))) in a comical sort of way. But it isn't "trauma" that Terna the Younger has "inherited." It's criminal insanity -- which may actually have a genetic component to it.
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1. Terna and son. One bad Terna deserves another. // 2. Learned Behavior? DNA? Or both?
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Boobus Americanus 1: I read in the New York Times today that an Auschwitz survivor who painted scenes of fire, chimneys and ashes died at 99.
Boobus Americanus 2: The art was probably therapeutic for him.
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St Sugar: No need for therapy, Boobuss! Bullsschwitz was a piece of cake!
Editor: Notwithstanding a brief typhus outbreak in 1942, one was much safer in the surprisingly quaint college-dorm-like quarters of Bullschwitz than in a German city being flattened or incinerated by the ALL LIES!
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Boobus Americanus 2: The art was probably therapeutic for him.
*
St Sugar: No need for therapy, Boobuss! Bullsschwitz was a piece of cake!
Editor: Notwithstanding a brief typhus outbreak in 1942, one was much safer in the surprisingly quaint college-dorm-like quarters of Bullschwitz than in a German city being flattened or incinerated by the ALL LIES!
DONATIONS
MIKE'S BANNED BOOKS & PDFs
Chip-in to help the site grow. Even if a fraction of the regular readers who've never contributed before chipped in just $5 once in a while, we could sustain the site and meet our growth goals.
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